Olivia Receives Cesario — Twelfth Night I.v
Twelfth Night
intermediateHow to cast this scene
Draw two names from a hat. No type casting — the disguise is part of the scene’s whole point. Swap after each read-through. Players playing Cesario should decide for themselves how they carry the disguise.
Say it right
- Cesario
- Seh-SAH-ree-oh
- Illyria
- Ih-LEE-ree-uh
- Olivia
- Oh-LIV-ee-uh
Who’s who
- Olivia
- Countess in mourning, guarded, witty. She has sworn off men — until this messenger arrives.
- Viola (as Cesario)
- Shipwrecked, disguised as a boy, carrying someone else’s love message. Highly competent, quietly heartbroken.
The scene
The scene
VIOLA (as CESARIO). The honourable lady of the house, which is she?
OLIVIA. Speak to me; I shall answer for her. Your will?
VIOLA. Most radiant, exquisite and unmatchable beauty— …. I will on with my speech in your praise, and then show you the heart of my message.
OLIVIA. Come to what is important in ’t. I forgive you the praise.
VIOLA. Alas, I took great pains to study it, and ’tis poetical.
OLIVIA. It is the more like to be feigned; I pray you keep it in. I heard you were saucy at my gates; and allowed your approach rather to wonder at you than to hear you. …. Are you a comedian?
VIOLA. No, my profound heart; and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
OLIVIA. If I do not usurp myself, I am.
VIOLA. Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission. I will on with my speech in your praise. ….
OLIVIA. O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty. It shall be inventoried, and every particle and utensil labelled to my will. …. Item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
VIOLA. I see you what you are: you are too proud; But if you were the devil, you are fair. …. Lady, you are the cruell’st she alive, If you will lead these graces to the grave And leave the world no copy.
OLIVIA. O, sir, I will not be so hard-hearted …. How does he love me?
VIOLA. With adorations, fertile tears, With groans that thunder love, with sighs of fire.
OLIVIA. Your lord does know my mind, I cannot love him. Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulged, free, learn’d and valiant, And in dimension and the shape of nature A gracious person; but yet I cannot love him. He might have took his answer long ago.
VIOLA. If I did love you in my master’s flame, With such a suff’ring, such a deadly life, In your denial I would find no sense, I would not understand it.
OLIVIA. Why, what would you?
VIOLA. Make me a willow cabin at your gate And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills, And make the babbling gossip of the air Cry out “Olivia!” O, you should not rest Between the elements of air and earth But you should pity me.
OLIVIA. You might do much. What is your parentage?
VIOLA. Above my fortunes, yet my state is well: I am a gentleman.
OLIVIA. Get you to your lord; I cannot love him. Let him send no more. …. What is your name?
VIOLA. Cesario is your servant’s name, fair princess.
OLIVIA. My servant, sir! …. [Aside] I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so.
[Exit VIOLA. OLIVIA remains.]
Facilitator notes
This scene rewards stillness. Olivia’s power comes from not moving; Cesario’s from forward momentum. Notice how status shifts mid-scene. After the first read-through, ask Players: who has more power at the start, and who has more power at the end?
Reflect together
- What is each character actually looking for in this conversation?
- Where does Olivia’s resistance start to crack — which line?
- How does Cesario balance delivering Orsino’s message and managing their own feelings?
- Try the scene with Olivia never looking at Cesario directly. What changes?
- What does "I am not what I am" mean if you say it slowly?
Wrap up
Now let’s share:
Two things I liked…
One thing I wonder…